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nola.com (Jan. 30): NOPD horse stables open for Horses, Hops & Cops, and more community news
Meer (Jan. 27): Herman Leonard: images of jazz
OffBeat Magazine (Jan. 24): New Herman Leonard Jazz Exhibition Opening At Ogden Museum
nola.com (Jan. 23): Boheme, Krewe du Vieux, Little Rascals and Nefertiti parades, and more community news
Travel and Leisure (Jan. 20): Top 26 Places To Visit In The USA: 2026 Edition
nola.com (Jan. 18): Debunking the myth that jazz was born in New Orleans’ red-light district: Storyville
My New Orleans (Jan. 15): Ogden Museum Hosts January Evenings at the Easel
Travel 2 Next (Jan. 15): 20 MUSEUMS IN NEW ORLEANS FOR MUSIC, HISTORY AND MAGIC
The Pearl (Jan. 15): Embrace Carnival Season at these 3 Events
NOLA Now (Jan. 14): Ogden Museum of Southern Art to celebrate Martin Luther King Jr. Day
My New Orleans (Jan. 13): 8th Annual Martin Luther King Jr. Day Celebration at Ogden Museum
nola.com (Jan. 12): Krewe Mosaique takes to the streets in the Quarter, and more community news
4WWL (Jan. 10): How to observe MLK Day 2026 in New Orleans: Service and community events
Fox8 Live (Jan. 9): Traditional Hand Beading Class
New Orleans (Jan. 8): Mardi Gras Pop-Up Markets
My New Orleans ( Jan. 7): Creative Carnival Workshops and Markets
My New Orleans (Jan. 1): New Orleans Wine & Food Experience Grand Tasting
artdaily.com (Jan. 1): Amherst College’s Mead Art Museum receives $1,000,000 Endowment Challenge Grant
My New Orleans (Jan. 1): Arts Calendar: January 2026 Events in New Orleans
2025 News and Press 2024 News and Press 2023 News and Press 2022 News and Press 2021 News and Press 2020 News and Press 2019 News and PressNoel Rockmore was a regular patron of the cafes and bars of New Orleans’ French Quarter from the 1960s through the 1990s, and he held court with no less intrigue and charisma than his fellow bohemian, Tennessee Williams. Arriving in "the last frontier of Bohemia" in 1959, Rockmore discovered the place of his dreams, a place that allowed him to both portray the fantasy and decay so central to his personal aesthetic, and to do so by painting what was there, without embellishment.
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Teaching artist Jackie Inglefield spent 3 weeks with 2nd - 4th graders from Edward Hynes Charter School: Lakeview to collect discarded plastic bottles to reuse and recycle to create life sized horse armatures. They learned about the environmental impact of plastic waste and glass recycling and used various techniques, coloring, cutting and sewing to transform the bottles into works of art.
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Burke’s Delight: The Stacey and Michael Burke Collection, features a significant recent donation of more than 80 works by over 50 artists from across the American South. This donation not only expands the Museum’s already impressive collection in this genre but also highlights the profound contributions of self-taught and Visionary artists to the region’s cultural heritage. This exhibition presents work that challenges traditional notions of artistic values and aesthetics.
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Vicinal Visions presents the works of Dusti Bongé, Ida Kohlmeyer and Dorothy Hood from the collection of Ogden Museum of Southern Art, highlighting three visionary women who helped expand the boundaries of abstraction in the American South. Though each of these Southern artists developed their own distinct visual language, their work shares a spirit of experimentation and Modernist sensibilities, refracted through individual lenses of personal experience and place.
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Ogden Museum of Southern Art presents, In the Beloved, a new body of work by Alexis McGrigg, that merges fluid abstraction, spiritual inquiry and an exploration of Blackness as both a physical and metaphysical space. Influenced by dance, film, literature and spiritual philosophy, this series investigates the origin and transcendence of the soul from a third space McGrigg calls The Beloved. This realm is in constant metamorphosis, allowing Black souls to exist in continual transition and transformation.
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Drawn exclusively from the permanent collection of Ogden Museum of Southern Art, I Am the Face is a meditation on the history of portraiture within Southern Photography. Beginning with the early twentieth century to the present, I Am The Face highlights ever-changing ideas, trends, methods and technologies that define the photographic portrait. Picturing the human condition, the relationship between photographer and subject, and the inherent power of perception that the camera possesses is addressed throughout the exhibition.
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