This exhibition illustrates how, with each new development – from early photography, Impressionism, Tonalism, the Arts & Crafts Movement and Symbolism through American Scene Painting, Social Realism and Regionalism – Southern artists responded with a distinct blend of tradition and innovation along with a steadfast awareness of the power of place. Artists include Jacques Amans, Joseph Meeker, Ellsworth Woodward, Lulu King Saxon, Julian Onderdonk, Elizabeth Catlett, George Ohr, Angela Gregory, Richmond Barthé, Bill Traylor, Walker Evans, Benjamin Wigfall, Walter Anderson and many more.
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While Modernism and Abstract Expressionism developed in the first half of the twentieth century, many artists working in the American South incorporated these new ideas into their practice after World War II. This section of the exhibition traces the development of abstraction in Southern Art through examples by leading figures including Fritz Bultman, Dusti Bongé, Sam Gilliam, Ida Kohlmeyer, Robert Reed, Eugene Martin, Minnie Evans, John T. Scott, Kendall Shaw and Dorothy Hood, among others.
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This selection of works from Ogden Museum of Southern Art’s permanent collection considers the many ways artists throughout the region explore concepts of process, material and identity through diverse media and practices. These works illustrate how Southern artists are actively engaging with their region and with the rest of the world through their practice and how Ogden Museum is filling a critical role in confronting the past, embracing the future and bridging the reconciliation of both.
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This exhibition, encompassing the entire Museum, tells an updated story of the South through the permanent collection and recent major acquisitions. Drawing inspiration from Ralph Ellison who said, “knowing where we are has a lot to do with our knowing who we are,” this exhibition provides a portrait of place that challenges conventional notions of Southern identity. With a geographic region spanning from Baltimore to Miami to El Paso, Knowing Who We Are celebrates the diversity of the region – its histories, cultures and proximate traditions – offering a view of Southern identity that is more fully representative of its people.
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