The Unending Stream: Chapter I

The Unending Stream is a two-part exhibition that showcases the thriving community of photographers in New Orleans. The title of the exhibition pays homage to a Clarence John Laughlin photograph of the same title, which is a part of the permanent collection at Ogden Museum of Southern Art. Laughlin’s seminal work, created between the 1930s and 1950s, is an important chapter in the long-storied relationship between New Orleans and photography. Following in his visionary footsteps, this exhibition focuses on emerging and underrepresented photographers who continue to focus on the South through poetic imagery.The Unending Stream celebrates New Orleans’ continuing role as one of America’s most important cultural capitals while also highlighting the role that the arts have played in revitalizing the region for the past twenty years since Hurricane Katrina. Read More about The Unending Stream: Chapter I

Keith Duncan: Battle of the Bands The HBCU Marching Bands Series

Ogden Museum of Southern Art is proud to present Battle of the Bands, Keith Duncan’s most recent body of work that celebrates the vibrant tradition of Historically Black College and Universities (HBCUs) marching bands. The exhibition includes large-scale fabric paintings of fifteen Southern HBCU bands, along with human-scale fabric paintings and smaller works on paper depicting each band’s drum major. Read More about Keith Duncan: Battle of the Bands The HBCU Marching Bands Series

Hoa Tay (Flower Hands) Southern Artists of the Vietnamese Diaspora

Ogden Museum of Southern Art commemorates the 50th anniversary of the Fall of Saigon with Hoa Tay (Flower Hands), an exhibition which centers emerging and established Vietnamese-American artists working throughout the American South. These artists use diverse media and styles to forge their own distinctive vision, conveying narratives of the Vietnamese Diaspora, both personal and universal. Read More about Hoa Tay (Flower Hands) Southern Artists of the Vietnamese Diaspora