Ogden Museum of Southern Art

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New Orleans, LA 70130
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The Whole Drum Will Sound: Women in Southern Abstraction

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The Whole Drum Will Sound: Women in Southern Abstraction


Dorothy Hood, Florence in the Morning, ca. 1976, Oil on canvas, Roger Houston Ogden Collection


ON VIEW MARCH 22 – JULY 22

Host Committee:
Martin J. Drell MD
Dr. Jerry and Carolyn Fortino
Benjamin Lowry and Shelly Gallender
Jessie and Beau Haynes
Holly-Anne, Joshua and Isaac Palmer
Shirley R. Masinter
Roger Ogden and Ken Barnes
Sarah Story
Penny Weaver
Terese and William Winslow
Amanda and Teddy Winstead

Artists in The Whole Drum Will Sound include:
Lynda Benglis
Vincencia Blount
Dusti Bongé
Clyde Connell
Sherry Owens
Dorothy Hood
Marie Hull
Bess Dawson
Halcyone Barnes
Lin Emery
Margaret Evangeline
Cynthia Brants
Shawn Hall
Ruth Atkinson Holmes
Jacqueline Humphries
Valerie Jaudon
MaPo Kinnord
Ida Kohlmeyer
Shawne Major
Bonnie Maygarden
Anastasia Pelias
Betsy Stewart
Ashley Teamer
Millie Wohl

Beginning in the early 20th century, opportunities for women in the visual arts expanded with every new movement. From Impressionism and the Arts and Craft movement through Regionalism and American Scene Painting, women increasingly influenced the dialogue across the nation. With the societal shifts in the United States after World War II, more women took on the role of working artists. Perhaps no art movement before or since has provided more freedom of expression and democracy of form than the postwar move toward abstraction.

The Whole Drum Will Sound – drawn primarily from the Ogden Museum of Southern Art’s permanent collection – celebrates strong female voices in abstract art in the American South. In French author Amin Maalouf’s book, In the Name of Identity, he writes, “A person’s identity is not an assemblage of separate affiliations, nor a kind of loose patchwork; it is like a pattern drawn on a tightly stretched parchment. Touch just one part of it, just one allegiance, and the whole person will react, the whole drum will sound.” This exhibition does not seek to define a feminine aesthetic. The artists included cannot be categorized solely upon their gender or regional affiliation. The facts that they are female or Southern or that they create through abstraction are just elements of the patterns upon the drums that they sound. Rather, this exhibition seeks to find resonance among these artists, and to trace a trajectory of abstraction in the South through the rise of female voices in the visual arts.  

Moving from the early Abstract Expressionist paintings of Dusti Bongé and Marie Hull to the contemporary works of Bonnie Maygarden and and Shawne Major, this exhibition includes work that ranges from the early minimalist compositions of Ida Kohlmeyer to the fresh abstract spaces of Ashley Teamer; from the stained surfaces of Dorothy Hood and Anastasia Pelias to the biomorphic abstractions of MaPo Kinnord and Shawn Hall. Together, these works show a range of studio practices by female artists working in the South within the language of abstraction, and highlights the breadth of the Ogden Museum of Southern Art’s Permanent Collection.

Bradley Sumrall
Curator of the Collection


Press

St. Charles Magazine Art & Antiques Terremoto Pelican Bomb AFAR The New Orleans Advocate


Ida Kohlmeyer, Mythic Series #31 , 1985, Mixed media on canvas, Gift of the Roger Houston Ogden Collection
Lynda Benglis, Minerva, 1986, bronze, nickel and chrome, Gift of the Roger Houston Ogden Collection
Halocyne Barnes, Variation #1, 1955, Oil on canvas, Gift of the Roger Houston Ogden Collection
Shawne Major, Eating Cake, 2008, Mixed media, Gift of the Artist
Marie Atkinson Hull, Pink Morning, c. 1960, Oil on canvas, Collection of Stephanie and Robin Durant
Dusti Bonge, Circles Penetrated, 1952, Oil on canvas, Gift of the Dusti Bonge Foundation

Opening Reception

Photos by Ryan Hodgson-Rigsbee

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Museum Hours

Come See the South 7 Days a Week!

Monday: 10:00 a.m. - 5:00 p.m.
Tuesday: 10:00 a.m. - 5:00 p.m.
Wednesday: 10:00 a.m. - 5:00 p.m.
Thursday: 10:00 a.m. - 5:00 p.m.*
Friday: 10:00 a.m. - 5:00 p.m.
Saturday: 10:00 a.m. - 5:00 p.m.
Sunday: 10:00 a.m. - 5:00 p.m.

The last admission to the Museum is 4:45 p.m.

*Thursday admission from 10 a.m. - 5 p.m. is free to Louisiana residents, courtesy of The Helis Foundation

Current Exhibitions

  • Artists & Sense of Place Residency Contemporary Congo: African Rhythms in Jazz
  • Matt Scobey: Case Study Selected Works 2018-2025
  • The Unending Stream: Chapter I

See The Collection

Fractured MillstoneUntitledTwelve Months of New Orleans - Title PageUntitledJulia RowUntitled - #91-683

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