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New Orleans, LA 70130
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Knowing Who We Are: The Rise of Abstraction, Vernacular Art and Photography MADE POSSIBLE BY THE TERRA FOUNDATION FOR AMERICAN ART

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  • ← Knowing Who We Are: The Contemporary Dialogue MADE POSSIBLE BY THE TERRA FOUNDATION FOR AMERICAN ART
  • Knowing Who We Are: From 19th Century Academic Painting through Southern Regionalism MADE POSSIBLE BY THE TERRA FOUNDATION FOR AMERICAN ART →

Knowing Who We Are: The Rise of Abstraction, Vernacular Art and Photography

Minnie Evans, Untitled (Green Forms), c.1950, Ink, crayon and collage on paper, Gift of the Roger Houston Ogden Collection


Special Preview: A portion of this floor is now open to offer a glimpse into the exhibition, 19th Century Academic Painting through Southern Regionalism.

April 1, 2023 – March 3, 2024

The art of the American South has never existed in isolation. It has – since the earliest moments of the American experience – run concurrent with dominant academic art movements and popular trends, while maintaining a distinct regional identity. On the 4th floor of Ogden Museum’s Goldring Hall, Knowing Who We Are will explore the rise of Abstraction, Photography and Vernacular Art.

While Modernism and Abstract Expressionism developed in the first half of the twentieth century, many artists working in the American South incorporated these new ideas into their practice after World War II. This section of the exhibition traces the development of abstraction in Southern Art through examples by leading figures including Fritz Bultman, Dusti Bongé, Sam Gilliam, Ida Kohlmeyer, Robert Reed, Eugene Martin, Minnie Evans, John T. Scott, Kendall Shaw and Dorothy Hood, among others.

As photography developed in the 20th century, Southern artists were deeply involved in bringing lens-based studio practices from the realm of commercial portraiture and journalism into contemporary art dialogue. Photographers include Marion Post Wolcott, Roland Freeman, Eudora Welty, William Christenberry, Kael Alford and L. Kasimu Harris, among others.

Art in the South came to the forefront of international attention, as when the art world embraced the freedom and innovation of Self-Taught and Visionary art in the late-20th century, and vernacular artists from the South arose as leading figures in that national dialogue. Works by Thornton Dial, Bessie Harvey, Jimmy Lee Sudduth, Helen Burkhart Mayfield, Clementine Hunter, Roy Ferdinand, George Andrews and more are featured on this floor in conversation with abstraction and photography.

Artists in this exhibition include: 

Kael Alford, Leroy Almon, George “The Dot Man” Andrews, Mac Ball, Halcyone Barnes, John Barnes, Louisiana Pettway Bendolph, Lynda Benglis, Vincencia Blount, Dusti Bonge, Jerry Brown, Fritz Bultman, David Butler, Archie Byron, Debbie Fleming Caffery, Keith Calhoun, Keith Carter, Henri Cartier-Bresson, William Christenberry, William Claxton, Maude Schuyler Clay, John Clemmer, Kevin Cole, Clyde Connell, Jeffrey Cook, Ralston Crawford, Paul “the Baltimore Glassman” Darmafall, Patrick Davis, Bess Dawson, Thornton Dial, Vanzant Driver, George Dunbar, George Dureau, Stephen Dee Edwards, William Eggleston, Minnie Evans, Roy Ferdinand, Reverend Howard Finster, Roland Freeman, Sam Gilliam, Theora Hamblett, Bessie Harvey, Moses Hogan, Ruth Atkinson Holmes, Dorothy Hood, Marie Hull, Jacqueline Humphries, Nene Humphrey, Clementine Hunter, Birney Imes, James Harold Jennings, Sudie Johnson, Frank Jones, Ida Kohlmeyer, Eddie Lanieri, Clarence John Laughlin, Baldwin Lee, Winston Ogle Link, Shawne Major, Sally Mann, Eugene Martin, Helen Burkhart Mayfield, Ed McGowin, Columbus “Dude” McGriff, Michael Mead, Lanier Meaders, Gene Merritt, Reuben Aaron “R.A.” Miller, Reginald Mitchell, William Monaghan, Andrew Moore, William Lee Moreland, Elemore Morgan Sr., Sister Gertrude Morgan, Eddy Mumma, Paul Ninas, Sherry Owens, Gordon Parks, Anastasia Pelais, Benjamin Franklin Perkins, Martin Payton, P.H. Polk, Robert O. Preusser, Melville Price, Robert Rector, Robert Reed, Roger Rice, Kathleen Robbins, Sultan Rogers, Nellie Mae Rowe, O.L. Samuels, Flip Schuike, John T. Scott, Welmon Sharlhorne, Kendall Shaw, Merton D. Simpson, Herbert Singleton, Michael P. Smith, Mary T. Smith, Keith Sonnier, Alec Soth, Henry Speller, Mark Steinmetz, Will Henry Stevens, Betsy Stewart, Jack Stewart, Jimmy Lee Sudduth, Robert Tannen, Inez Walker, George Wardlaw, Lewis Watts, Willie White and Ernest C. Withers

Support Knowing Who We Are

 

MADE POSSIBLE BY THE
TERRA FOUNDATION
FOR AMERICAN ART

 

 

 

Major Sponsor
Tracy Copeland
Roger H. Ogden & Ken Barnes
Michael Wilkinson

Supporting Sponsor
Jason Waguespack & Jeffery Morgan
Gregory Holt & Lucy Burnett

Partner
Eugenie and Joseph Jones Family Foundation
Stuart B. Hurt
Catherine Makk
Holly & Geoff Snodgrass
Charles D. Urstadt & David Bernard

Host Committee
Anonymous
Baylee Badawy
Suzie & Ted Bloch III M.D.
Steven, Erin & Ethan Chevalier
Harrison & Veronica Cho
Beverly Dale
Mollye & Laurent Demosthenidy
Debra J. Fischman
Monica Frois & Eve Masinter in Honor of Shirley Rabé Masinter
Jessie & Beau Haynes
Donna & Jack Little
Matthew B. Moreland
MR: a visual communication studio
Don & Lola Norris
Alan Rothschild
Schley Family Foundation
Laura & Sonny Shields
Nathalie Simon
William  & Jane Sizeler
Micki Beth Stiller
Sarah Story & Chris Ragland
Carla & Cleophus Thomas, Jr.
Erica J. Washington
Fern & Kevin Watters
Jennie Cannon West & Jason Richards
Sharonda R. Williams
Penny Weaver in memory of Ersy Schwartz
Justin I. Woods

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Museum Hours

Come See the South 7 Days a Week!

Monday: 10:00 a.m. - 5:00 p.m.
Tuesday: 10:00 a.m. - 5:00 p.m.
Wednesday: 10:00 a.m. - 5:00 p.m.
Thursday: 10:00 a.m. - 5:00 p.m.*
Friday: 10:00 a.m. - 5:00 p.m.
Saturday: 10:00 a.m. - 5:00 p.m.
Sunday: 10:00 a.m. - 5:00 p.m.

The last admission to the Museum is 4:45 p.m.

*Thursday admission from 10 a.m. - 5 p.m. is free to Louisiana residents, courtesy of The Helis Foundation

Current Exhibitions

  • Knowing Who We Are: From 19th Century Academic Painting through Southern Regionalism MADE POSSIBLE BY THE TERRA FOUNDATION FOR AMERICAN ART
  • Knowing Who We Are: The Rise of Abstraction, Vernacular Art and Photography MADE POSSIBLE BY THE TERRA FOUNDATION FOR AMERICAN ART
  • Knowing Who We Are: The Contemporary Dialogue MADE POSSIBLE BY THE TERRA FOUNDATION FOR AMERICAN ART

See The Collection

The Backdoor, New Orleans (the Court Tower)UntitledBoxville Tangle #4Southern Country CookbookDancing Harlequins, Malaga, SpainNative Children

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