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DTSTART;TZID=America/Chicago:20190905T180000
DTEND;TZID=America/Chicago:20190905T200000
DTSTAMP:20260506T184830
CREATED:20190613T160406Z
LAST-MODIFIED:20190830T163405Z
UID:10004237-1567706400-1567713600@ogdenmuseum.org
SUMMARY:Davis Rogan
DESCRIPTION:Davis draws his musical inspiration from Professor Longhair and Fats Domino\, as does every New Orleans rhythm and blues piano player. What separates Davis is his lyrics. The wit\, irony and self-deprecation echo Randy Newman\, but the wry observations about life\, humanity and New Orleans are uniquely his. This combination of roots music and sharp lyrics\, heard in the 2005 release\, The Once and Future DJ\, drew auteur David Simon to Davis as David prepared his HBO series about New Orleans\, TREME. Davis began working as a consultant and\, over six years and four seasons of the show\, served as an actor\, a scriptwriter\, a piano coach\, a songwriter and the muse for the character Davis McAlary. By the series’ end\, Davis had written or placed more music in the show than any other musician. \nDavis is a fifth-generation New Orleanian who was raised in the Carrollton neighborhood. He currently resides in Treme. He began his broadcast career on WTUL at the age of 10\, did his college radio stint at KRRC and was a DJ at WWOZ for 13 years. After graduating from Reed College with a BA in English\, Davis began the dual path of teaching elementary school music for the Orleans Parish Public Schools and performing music professionally. Davis’ first gig was with Kermit Ruffins\, but he came to prominence in the New Orleans music scene with his eight-piece funk\, brass and hip hop group ALL THAT\, for which he was lead singer\, band leader\, principal songwriter\, arranger and producer. There are three albums to their credit\, including one on Rounder Records. \nIn the early aughts\, Davis formed a small rhythm and blues band featuring his original  material. 2005’s The Once and Future DJ led to the work on the show TREME. 2011’s The Real was a rumination on the meta existence of writing songs for a character who bears one’s name. In 2014\, with the show wrapped\, Davis wrote Ex Machina. While rooted in New Orleans R&B\, this album harkens back to the funk and rap sounds of his earlier work. Critics have called it his best yet. \nDavis has played solo and with his band throughout the United States and Europe. He is available for solo\, group\, workshop and instructional performances. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/davis-rogan/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2019/06/davis.jpeg
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DTSTART;TZID=America/Chicago:20190912T180000
DTEND;TZID=America/Chicago:20190912T200000
DTSTAMP:20260506T184830
CREATED:20190823T214544Z
LAST-MODIFIED:20190912T165416Z
UID:10004591-1568311200-1568318400@ogdenmuseum.org
SUMMARY:Michael Doucet et Lâcher Prise
DESCRIPTION:BeauSoleil founder\, GRAMMY Award winner and National Heritage Fellowship recipient\, Michael Doucet\, will debut his first solo album in 20 years\, Lâcher Prise\, on Compass Records.  \nA departure from the more established sound of BeauSoliel (now celebrating their 44th year)\, Lâcher Prise is is an eclectic exploration of Louisiana music. Elements funk\, R&B\, jazz and Caribbean music breathe new life into Michel Doucet’s timeless songwriting. He seamlessly weaves together tradition and innovation\, continuing to push the boundaries of Louisiana music\, in his most creative endeavor to date. “I am cajun\, so if I write it . . .it is a cajun song!”  \nThe Lâcher Prise Band spotlights Louisiana’s next generation of roots music all stars: Chad Viator (Roddie Romero) on guitar\, Internationally celebrated singer-songwriter\, Sarah Quintana on guitar and vocals\, Chris French on electric and acoustic bass and Jim Kolacek on drums. Special guests include Reese Wynans (Stevie Ray Vaughan\, Joe Bonamassa) and Jim Hoke (NRBQ)\, who sweetened the tracks on Hammond B3 and saxophone respectively\, and classical crossover group the Turtle Island Quartet. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/michael-doucet-et-lacher-prise/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/png:https://ogdenmuseum.org/wp-content/uploads/2019/08/Michael-Doucet.png
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DTSTART;TZID=America/Chicago:20190919T180000
DTEND;TZID=America/Chicago:20190919T200000
DTSTAMP:20260506T184830
CREATED:20190613T174637Z
LAST-MODIFIED:20190806T175902Z
UID:10004522-1568916000-1568923200@ogdenmuseum.org
SUMMARY:Joy Clark
DESCRIPTION:Joy Clark’s musical artistry feels like a warm\, fresh twist on the fervently familiar. Her tranquil yet ardent original creations are a heady mix of her major influences. Think Tracy Chapman\, Lizz Wright\, Maxwell\, Anita Baker\, Stevie Nicks and Chris Eaton. Now add a bluesy bayou vibe with a splash of folk sensibility and a dash of alternative appeal\, and you’ll understand why this homegrown New Orleans singer/ songwriter/guitarist transcends both age and the ordinary. \nHaving studied her self-taught craft since the age of 12\, Joy truly embodies the bliss that comes with creating melodies and rhythms to celebrate peace and the undeniable power of love. Her music is often described as the essence of ease\, upliftment\, self-affirmation and sensitivity. It’s no wonder that she quickly rose to critical acclaim as a founding member of the disbanded Soulkestra. Joy has also performed with Water Seed\, and living-legend Cyril Neville\, and continues to enchant audiences throughout the Southern United States and around the world. \nPurchase Tickets\n \n 
URL:https://ogdenmuseum.org/event/joy-clark/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2019/06/JOY_84.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190926T180000
DTEND;TZID=America/Chicago:20190926T200000
DTSTAMP:20260506T184830
CREATED:20190612T164111Z
LAST-MODIFIED:20190806T180108Z
UID:10004230-1569520800-1569528000@ogdenmuseum.org
SUMMARY:Kevin Gordon
DESCRIPTION:Kevin Gordon’s Louisiana is a strange place. It’s a place where restless teens road trip to where the highway dead-ends at the Gulf of Mexico; a place where prisoners who are in for life compete in a rodeo while the town watches; where a character can get lost in the humid afternoon and where religion may not signify hope; and where rivers\, never far away\, carry secrets behind levees. “One of the things I like about it and am mystified by is that what passes for normal in Louisiana would not make the grade elsewhere\,” he says. \nThe kicker? All of these postcards are based on true stories. It’s a place that he’s been exploring for twenty years now\, on the eve of the release of his astonishing new album ‘Tilt & Shine’ on Crowville Media. It is work that has earned him fans like noted author and Elvis Presley biographer Peter Guralnick; New West Records artist Buddy Miller; journalist\, songwriter\, and Country Music Hall of Fame staffer Peter Cooper; Todd Snider; head of the Americana Music Association Jed Hilly; and Lucinda Williams\, with whom he dueted on the song “Down To The Well” (which was featured prominently on an Oxford American compilation). \nBefore you even hear his vivid lyrics\, you start feeling the sound of that ’56 Gibson ES-125 tuned down to open D\, often with the tremolo flowing like a river\, and an unstoppable groove distilled from swamp blues and Sun Records. His MFA from the Iowa Poetry Writers’ Workshop allows him to capture it with a degree of precision. As the New York Times put it in its headline of a feature on Kevin\, “A Musican Or A Poet? Yes to Both.” \nKevin sums it up\, “There are so many stories in north Louisiana and it’s a place that nobody pays attention to. For me\, you can feel the arc of time passing. I’m captivated by the power of strong memories—those films that run continuously in your mind\, if you let ‘em.” With ‘Tilt & Shine\,’ those movies translate into rock and roll poetry. \n\n\nPurchase Tickets
URL:https://ogdenmuseum.org/event/kevin-gordon/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2019/06/kevingordon.jpeg
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