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X-WR-CALDESC:Events for Ogden Museum of Southern Art
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DTSTART;TZID=America/Chicago:20181206T180000
DTEND;TZID=America/Chicago:20181206T200000
DTSTAMP:20260507T014126
CREATED:20180808T144344Z
LAST-MODIFIED:20180908T202020Z
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SUMMARY:Dayna Kurtz with Robert Mache
DESCRIPTION:Over the past decade\, the New Jersey born\, now dividing time between New Orleans and the mountains of Vermont\, vocalist/writer/musician/producer has been bestowed with many awards and praises\, including being named the Female Songwriter of the Year by the National Academy of Songwriters.  Norah Jones and Bonnie Raitt have raved about her in interviews\, and she’s performed on such high-profile radio shows as “World Cafe\,” “Mountain Stage” and NPR’s “Morning Edition.”  She’s toured and opened for Elvis Costello\, Richard Thompson\, Mavis Staples\, Rufus Wainwright\, B.B. King\, Dr. John\, Richie Havens\, KerenAnn\, Chris Whitley\, and the Blind Boys of Alabama. \n“I began my career as a teenager as background music in crowded Jersey Shore beach bars\,” explains Kurtz\, “and I used to make a game of seeing what it would take to shut people up\, and I got kind of good at it.  Although there’s some tricks to it\, it was really more a kind of witchcraft than anything – I learned to draw whatever power and attention there was in the room being sent my way and send it back out again. Other people got caught in the loop and started paying attention too.” \nIn 2017 she released “Here\,” Vol. 1\, a live recording culled from a 2016 Dutch theater tour with guitarist Robert Mache (Continental Drifters\, Steve Wynn). Of her work and friendship with Mache\, Kurtz says\, “I’ve loved Robert’s playing for such a long time\, and we’ve been friends longer than we’ve been touring partners – he was one of the first musicians to befriend me in New Orleans. That we had such undeniable chemistry has been one of the greater recent gifts of my life\, and I just wanted to document it somehow\, and quite a few people in my life have suggested a live record. I’d been hesitant\, only because there’s only a few live records I listen to with the devotion I’d give a beloved studio record. It’s notoriously really difficult to capture the feeling of being there in the dark experiencing it. Then the challenge of it intrigued me.” \nPurchase Tickets
URL:https://ogdenmuseum.org/event/dana-kurtz-with-robert-mache/
CATEGORIES:Ogden After Hours
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DTSTART;TZID=America/Chicago:20181213T180000
DTEND;TZID=America/Chicago:20181213T200000
DTSTAMP:20260507T014126
CREATED:20180814T163002Z
LAST-MODIFIED:20180814T163002Z
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SUMMARY:Roman Street
DESCRIPTION:Brothers Noah and Josh Thompson put their guitars together to form Roman Street. Since the college years\, this brotherly jam session has developed into a Billboard/iTunes charting band who many have dubbed ‘the next generation’ of Jazz Fusion. Roman Street\, named for an old roman street in the Alps\, is an internationally trained instrumental band specializing in improvisational fusion of Classical\, Gypsy and Contemporary Jazz\, Latin\, and Nuevo Flamenco. A departure from the over-produced music that is out there today\, they keep it simple—the beautifully organic sound of acoustic instruments played by talented people who love what they are doing. Whether performing as a guitar duo\, or with a backing band\, Roman Street astounds with music that appeals to fans of many genres. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/roman-street/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2018/08/roman-street.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181220T180000
DTEND;TZID=America/Chicago:20181220T200000
DTSTAMP:20260507T014126
CREATED:20180813T171305Z
LAST-MODIFIED:20180813T171340Z
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SUMMARY:Walter Wolfman Washington's 75th Birthday Celebration
DESCRIPTION:Walter “Wolfman” Washington has been a mainstay in the New Orleans music scene since the early 1960s. He cut his teeth backing up some of the best singers and performers in New Orleans history\, including Lee Dorsey\, Johnny Adams and Irma Thomas before putting together his long time band The Roadmasters\, who have been burning down and burning up local and national stages since their first gigs in the 1980s. \nWashington’s new album My Future is My Past\,  produced by Ben Ellman of Galactic\, is a different kind of record than his playing with Lee Dorsey or The Roadmasters. Washington had to take more care with these songs. He explained\, “When you’re with a band\, you have to really punch it out. When you’re alone\, you have to pay attention to your notes and pronunciation and stuff. And then you have to put your soul into it and your feelings. Each one of the songs is a story. You can actually picture things like that happening. I had to fix my mind into each of the situations in the song.” \nWashington has always embodied both the wildness and sophistication of New Orleans\, but finally we have a set of songs that reflects the yin to Walter’s bring-the-party yang. This is the record that we all have known he has in him. This is the night after that party\, or maybe just the after party. He’s been given free rein to express himself\, and that’s special. Producer Ben Ellman has assembled a sympathetic group of musicians from keyboardists Jon Cleary and Ivan Neville to a versatile and sensitive rhythm section of bassist James Singleton and drummer Stanton Moore. When asked about being in the studio with these musicians\, Washington’s enthusiasm comes through immediately. \nWalter uses his voice to embody both those traditions here\, and then twist those traditions so that he’s doing both at the same time. His vocals and playing is quiet but keeps up the slow burn intensity. He filters his smooth croon through his unique raw blues feel\, and the result is subtle\, tasteful and powerful. His guitar playing has that searing tone but also the well placed chords of a bebop player. That’s all here but it’s jazzy and improvised and in the moment in such a way that you are on the edge of your seat wondering what he’ll do next. It is exciting to the listener\, and it is exciting to Washington. He says\, “People tell me\, ‘Walter\, you don’t ever lose the root of what you’re coming from\,” and this record proves he is as close to his roots as he has ever been. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/walter-wolfman-washingtons-75th-birthday-celebration/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2018/08/Wolfman-sit-credit-Greg-Miles.jpg
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DTSTART;TZID=America/Chicago:20181227T180000
DTEND;TZID=America/Chicago:20181227T200000
DTSTAMP:20260507T014126
CREATED:20181212T211513Z
LAST-MODIFIED:20181221T164324Z
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SUMMARY:Green Buddha
DESCRIPTION:Grooves in the service of songs\, Green Buddha is that and more. Original Colorado music spawned from funk\, reggae and soul\, to ska and dub. The result is a brew of psychedelia with melodies and hooks galore. The best bands are formed by chemistry not design and their debut album “Small Town” proves the point. From the minds of Seth Strickland\, Otis Lande and Jonny Jyemo\, along with fresh textures from Mikey B3 on Keys and Eric Benny Bloom (Lettuce) leading the brass\, the album makes for a strong brew indeed. \nGreen Buddha is in its true element performing live\, whether as a power trio\, “Got B3” Quartet or full Bloom of brass monster\, this band brings the heat. \n“No Coast Reggae” \nA fresh incarnation of style from musicians with deep roots. The members of Buddha have brought their varied musical backgrounds together with an ear towards creating a distinct new reggae sound; a sound that speaks to Colorado’s vibe. The direction of this sound is deliberate and sets the band apart from other “American Reggae” bands. \nInfluences range widely from classics like Toots and the Stones\, to the hybrids of the 90’s like Fishbone\, Chili Peppers\, Sublime and 311\, as well as contemporaries like John Browns Body\, Black Seeds and Slightly Stoopid\, not to mention personal & family connections to greats like the Subdudes and Aquarium Rescue Unit. \nWhile most of the songs are written by Seth Strickland\, (a surrogate child of the Subdudes)\, it is Otis Lande (son of jazz legend Art Lande) who leads the band on musical direction. Add in one Jyemo\, a lefty world beat drummer of supernatural acumen and the resulting chemistry cannot be understated. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/greenbuddha/
CATEGORIES:Ogden After Hours
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