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DTSTART;TZID=America/Chicago:20180705T180000
DTEND;TZID=America/Chicago:20180705T200000
DTSTAMP:20260507T052741
CREATED:20180604T174307Z
LAST-MODIFIED:20180604T174346Z
UID:10004259-1530813600-1530820800@ogdenmuseum.org
SUMMARY:David L. Harris sings Nat King Cole
DESCRIPTION:American trombonist\, vocalist and composer David L. Harris embodies the edge of modern jazz and the sultriness of blues. Every time he steps on stage\, David takes us on the emotionally engaging journey of love and liberation\, wrapped in a sound that embraces the groove\, grit and swing of the past. Growing up in a neighborhood called Scotlandville\, in Baton Rouge\, La\, David L. found his fingers pressed against the sliding brace of the trombone at the age of 16 and has never let go since. International and domestic audiences alike adore his band (as do the critics!). Music lovers have stepped and grooved to the sound of his trombone at some of the liveliest jazz festivals in the world such as The Newport Jazz Festival\, The Montreal Jazz Festival and The New Orleans Jazz & Heritage Festival. David L. has graced legendary concert halls\, such as the Apollo Theatre in Harlem\, NY\, The Lincoln Center in New York\, NY\, and The L’Olympia Music Hall in Paris\, France; and has performed\, recorded and collaborated with artists Herlin Riley\, Wynton Marsalis\, Shannon Powell\, Aaron Neville\, Aloe Blacc\, Dr. Michael White\, Dee Dee Bridgewater and The New Orleans Jazz Orchestra.\n \nHarris would spend seven hours a day practicing while allowing the sounds of legendary musicians like Tyree Glenn\, Joe “Tricky Sam” Nanton and Al Grey to train him along the way. He went on to further his knowledge of music and fine-tune his technique by continuing his studies at Southern University\, Louisiana State University\, and the University of New Orleans. Continuing to let his love for music lead him\, nowadays he can be found swinging his plunger mute gently against the bell of his Antoine Courtois trombone\, while playing alongside highly noted musicians at concerts and festivals all over the world. He has captured and moved audiences in China\, Europe\, Taiwan\, Russia\, South America\, Australia\, Canada\, South Africa and in over twenty cities in Japan. Harris demonstrates in every show how he prizes the gift of sharing jazz from New Orleans\, for the genre enables the creation of artwork that could not be made anywhere else in the world. His masterful team joins him in this endeavor\, most recently with the critically-acclaimed “Blues I Felt\,” Harris’ debut album. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/david-l-harris-sings-nat-king-cole/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2018/06/IMG_4631-Edit-1.jpg
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DTSTART;TZID=America/Chicago:20180712T180000
DTEND;TZID=America/Chicago:20180712T200000
DTSTAMP:20260507T052741
CREATED:20180604T173107Z
LAST-MODIFIED:20180604T173107Z
UID:10004258-1531418400-1531425600@ogdenmuseum.org
SUMMARY:Little Freddie King
DESCRIPTION:Born in McComb\, Mississippi in 1940\, Fread E. Martin grew up playing alongside his blues guitar picking father Jessie James Martin\, then rode the rails to New Orleans during the early 1950s where he crossed paths with itinerant South Louisiana blues men such as “Polka-Dot” Slim and “Boogie” Bill Webb\, whose unique country-cum-urban styles would influence his own. Honing his guitar chops at notorious joints like the Bucket of Blood (which he later immortalized in song)\, he jammed and gigged with Bo Diddley and John Lee Hooker\, and also played bass for Freddie King during one of the guitarist’s stints in New Orleans. People began comparing the two musicians’ styles\, hence Martin’s nom-de-plume. While well-vested in a variety of styles\, nowadays\, Little Freddie sounds a lot more like his cousin Lightnin’ Hopkins – albeit after a three day corn liquor bender. Nevertheless\, the King sobriquet is fitting\, as Freddie is undeniably the monarch of the Crescent City Blues scene. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/little-freddie-king/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2018/06/i-m4TgMPw-S.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180719T180000
DTEND;TZID=America/Chicago:20180719T200000
DTSTAMP:20260507T052741
CREATED:20180619T184510Z
LAST-MODIFIED:20180619T184531Z
UID:10004290-1532023200-1532030400@ogdenmuseum.org
SUMMARY:The Asylum Chorus
DESCRIPTION:Blending genres\, voices and influences\, The Asylum Chorus brings its unique roots-soul music to venues large and small. Featuring seven vocalists and a full backing band\, Asylum Chorus resonates with audiences in unique ways. Their complex vocal harmonies merge with modern arrangements\, to drive the music to higher places. In every performance\, the Chorus showcases their prodigious talents as vocalists\, songwriters\, and instrumentalists\, with songs that range from quiet a capella original to funky\, full-throttle burners.\n\n\nThe Asylum Chorus mixes the laid back\, street-funk\, electric church mood of their New Orleans home with their musical talents into dynamic\, interactive performances that give audiences unforgettable memories. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/the-asylum-chorus-2/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2018/06/bio_pic.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180726T180000
DTEND;TZID=America/Chicago:20180726T200000
DTSTAMP:20260507T052741
CREATED:20180604T163556Z
LAST-MODIFIED:20180712T180006Z
UID:10004276-1532628000-1532635200@ogdenmuseum.org
SUMMARY:Naked on the Floor with Jonathan Freilich
DESCRIPTION:Naked On The Floor is the flagship group of New Orleans based composer\, Jonathan Freilich.  Freilich has developed a language for structuring improvisations through the juxtaposition of anomalous musical information occurring almost as non-sequiturs amidst the prevailing familiar information. \nFreilich has worked as a sideman and a leader for some of New Orleans most notable music projects since his arrival here in 1989. As a leader: The New Orleans Klezmer All Stars\, The Naked Orchestra and this band\, all playing continuously for 20 years. As well as that\, he has worked with a list of great New Orleans performers ranging from Henry Butler\, to Kermit Ruffins\, 007\, Alex Mcmurray\, and many points in between.  He has arranged music for projects from U2 to Basque legend\, Fermin Muguruza. \nThe current band features some of the cities finest- James Singleton-bass; Rick Trolsen-trombone; Dan Oestreicher- sax; and the mystery guest. Representatives of bands from Trombone Shorty to Professor Longhair.  Great composers and leaders\, all. \n\n\nPurchase Tickets
URL:https://ogdenmuseum.org/event/naked-on-the-floor-with-jonathan-freilich/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2018/06/T7A7723-bann.jpg
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