BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Ogden Museum of Southern Art - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Ogden Museum of Southern Art
X-ORIGINAL-URL:https://ogdenmuseum.org
X-WR-CALDESC:Events for Ogden Museum of Southern Art
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20160313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20161106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20170312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20171105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20180311T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20181104T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20171207T180000
DTEND;TZID=America/Chicago:20171207T200000
DTSTAMP:20260507T101601
CREATED:20171005T232749Z
LAST-MODIFIED:20171108T184350Z
UID:10004109-1512669600-1512676800@ogdenmuseum.org
SUMMARY:Film Screening: Through the Repellent Fence
DESCRIPTION:Through the Repellent Fence follows art collective Postcommodity as they construct Repellent Fence\, a two-mile-long outdoor artwork that straddled the U.S.–Mexico border. Postcommodity consists of three Native American artists who put land art in a tribal context. In 2015 the artists worked with communities on both sides to install a series of 28 huge inflatable spheres emblazoned with an insignia known as the “open eye” that has existed in Indigenous cultures from South America to Canada for thousands of years. The artwork crossed the border a mile in each direction and symbolized a suture stitching back together cultures that have inhabited the land long before borders were drawn.\n\nThrough the Repellent Fence is an adventure in the artistic process blended with a road trip of discovery visiting sites and diverse perspectives to explore how land and art can generate community interaction and perceptual shifts in how we interpret\, engage\, and draw inspiration from our natural world. \n\nPurchase Tickets\n\n\nDirected by Sam Wainwright. Wainwright is a director and editor working out of Austin\, Texas. \nPhoto Credit: Michael Lundgren; Courtesy: Postcommodity \n\n\nhttp://ogdenmuseum.org/wp-content/uploads/2017/10/THROUGH-THE-REPELLENT-FENCE-Film-Trailer-1.mp4
URL:https://ogdenmuseum.org/event/film-screening-repellent-fence/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2017/10/A9QXBOXjnL8Fqm0UA780t9oaTGC3Tns9Vls2Liu0qRkRrxSFNl6cz4irXQTRpKAKqB0rc2xHjzS-2lTpUiDpSKrMzNUCCrnQVezqrB0jPKckWTFUo92_EikRs2GlyNXcnsc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20171214T180000
DTEND;TZID=America/Chicago:20171214T200000
DTSTAMP:20260507T101601
CREATED:20171109T030615Z
LAST-MODIFIED:20171109T030704Z
UID:10004130-1513274400-1513281600@ogdenmuseum.org
SUMMARY:Walter Wolfman Washington
DESCRIPTION:Walter Wolfman Washington cut his teeth backing up some of the best singers and performers in New Orleans history before putting together his long time band The Roadmasters who have been burning down and burning up local and national stages since their first gigs in the 1980s. His guitar style combines both rhythm and blues\, blues\, New Orleans funk\, and modern jazz into a way of playing that is uniquely his. His singing is emotional and heartfelt.  His guitar work is intricate\, intimate\, and full. There is a little Bobby Blue Bland\, a little Kenny Burrell\, a little George Benson\, a little church\, and a lot of New Orleans charm and experience in a Walter Wolfman Washington performance. The Roadmasters are known for doing their own soulful originals and then tackling some great unsung covers such as Johnny Guitar Watson’s “You Can Stay But That Noise Got To Go\,” Otis Redding’s “Nobody’s Fault But Mine\,” and Bill Withers’ “Use Me.” And in this day and age of musicians imitating the past or trying to recreate it\, The Wolfman stands out as a musician steeped in the history but completely contemporary. Few musical acts\, if any\, do what he does.  He is real\, authentic\, and unique. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/walter-wolfman-washington/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/jpeg:https://ogdenmuseum.org/wp-content/uploads/2017/11/Wolfman-Solo-Photo-Cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20171221T180000
DTEND;TZID=America/Chicago:20171221T200000
DTSTAMP:20260507T101601
CREATED:20171109T214446Z
LAST-MODIFIED:20171109T214747Z
UID:10003983-1513879200-1513886400@ogdenmuseum.org
SUMMARY:Weather Warlock
DESCRIPTION:Headless Falcon Record Release Party\nCome celebrate the winter solstice with a special edition of Ogden After Hours on the 5th Floor Terrace with Weather Warlock. \nWeather Warlock is a musical instrument built by New Orleans artist and musician\, Quintron\, which is currently positioned on the 5th Floor Terrace at the Ogden Museum of Southern Art as part of the citywide exhibition Prospect.4. The instrument is a large analog synthesizer\, which is controlled\, via a set of sensors\, by the changes in weather. The circuitry employs sun\, rain\, wind\, temperature\, moon and lightning to affect a major-chordal drone with special sonic events occurring at sunrise and sunset. You can find more information and a 24/7 live stream of the instrument at www.weatherfortheblind.com. \nHeadless Falcon\, Rhinestone Records is the second Weather Warlock album was made from base recordings made in Abu Dhabi during a live performance on Saadiyat Island. Quintron and New Orleans drummer\, Aaron Hill (EyeHateGod)\, traveled to the UAE to collaborate with a  handful of local musicians for one week\, composing and rehearsing this material\, prior to the performance. The album relies heavily on Egyptian master musician\, Sherine Thomay’s electric Oud playing. Side A ventures into new territory for Weather Warlock – a 16-minute hypnotic techno-Mellotron jam with Oud\, hand drums and cinematic desert noise phasing in and out. Side B is a slow burn prog-rock ripper in 9\, which in addition to the Middle Eastern guest musicians\, features a New Orleans horn section\, snotty Gary Wrong vocals (another WW first)\, bass rumble from Jen Attaway (Split Lips\, Unnaturls) and a prue garbe guitar solo by pete Larson (BULB records\, COUCH\, etc)\, who flew to the UAE from Kenya for the jams. \nPurchase Tickets
URL:https://ogdenmuseum.org/event/weather-warlock/
CATEGORIES:Ogden After Hours
ATTACH;FMTTYPE=image/png:https://ogdenmuseum.org/wp-content/uploads/2017/11/unnamed.png
END:VEVENT
END:VCALENDAR